On ‘Reverse Obituary’

Very pleased to say that my piece Reverse Obituary has been published in the January 2020 edition of RIC Journal.

This was inspired by the desire to write an obit of sorts for Kabid and pull all the threads of his life story – i.e. pre-death and before he became The Dead Man – together; the Dead Man died long ago, and has since taken on a life of his own. But also I came across this wacky article in QZ on how envisaging one’s death can help with career goal setting…

Enjoyed the writing of this one a lot, felt the high for days. Thanks to S – as always.

On ‘Shelly Valentine’ – an excerpt from 926 Years

Shelly ValentineSo the 926 Years release officially begins with the November 2019 mail out from Sublunary Editions, on the way to subscribers now. The November letter takes a cut called ‘Shelly Valentine’ from the book I co-wrote with Kyle Coma-Thompson. Should give you an idea of the vibe of the thing and the games Kyle and I are playing. Anyway, super excited that a sliver of it is out in the world. More soon, obviously – 21 Jan 2020, to be precise.

We share the edition with ‘The Bakelite Telephone’, a piece by Imogen Reid. Good news, too, because Imogen and I have been following each other around for a while now – Gorse, 3:AM, Felt: Aesthetics of Grey, and elsewhere I’m sure. More reason to take a look.

Thanks to Josh for this one and, of course, Kyle – it’s a pleasure to be part of the monthly editions. Be sure to subscribe to Sublunary Editions to get fresh literature in your postbox every month and… buy our little book.

On ‘Sundown’

My short story or fragment Sundown has been published in the final edition of RIC Journal for 2018. It’s always always a serious pleasure to be in RIC, a singular journal that continues to do its very own thing. Long may that continue.

With thanks to S, as usual.

On Tristan Foster

“Thou foster-child of silence and slow time”

Tristan Foster is not your friend. Tristan Foster is not your friend because Tristan Foster does not exist. Tristan Foster is the pen name of Franklin Tyrrell. Franklin was born in Brisbane’s south. When he was eight, he was sent to live with his grandparents in Sydney’s south. Sydney’s south was no different to Brisbane’s south. Of course, it was different. But things were the same. When he was in the penultimate year of high school, his teacher recited, at the top of the class, with deadly seriousness, Keats’s Ode on a Grecian Urn; Franklin did not know you could do with literature what Keats did with his poem (though it was maybe the gravity with which the teacher recited the poem that impressed him most) – Franklin decided he wanted to do that too. Hence Tristan Foster. As noted elsewhere, Tristan Foster was a poor choice of pseudonym as a real Tristan Foster was, several years ago, convicted of murder – the article about the murder is returned in Google searches of Tristan Foster. When he was 11 or 12, Franklin, at the behest of some older boys, threw a stone through the windshield of a passing car. It was night. The windshield shattered and the driver turned and hit a parked Volkswagen. Franklin was caught and subsequently punished. Threats to return him to Brisbane’s south were made. He became something of a neighbourhood hero for not giving up the older boys. However, he didn’t snitch on the older boys out of some sort of immature loyalty to them but rather because he feared them more than the punishment he was to receive. He avoided them as much as possible after this episode and maybe appeared to be reformed. Now, in his mind, the size of the stone he threw and the way it felt in his hand changes. Today Franklin lives in Sydney’s Hills District with a brother and three grey-coloured greyhounds named after former boxing champions. This will be my/his last dispatch. Goodbye friends.